Watch this Free Online Show To Support the Malaysian Performing Arts Scene: indicinelive! Quaranstream Edition

The coronavirus pandemic has affected many businesses and sectors – and with cancelled shows (going to theatres might be the last thing on people’s minds rn), the local performing arts scene has taken quite a hit.

Image courtesy of klpac

In support of those in the industry, indicinelive! (in-dee-SEE-nee-live) returns this year with a social-distancing compliant performance. Founded by Kuala Lumpur Performing Arts Centre (klpac) former director-in-residence Kelvin Wong, the show first premiered in 2010 and satirises the insane society we live in through a high-octane line-up of everyday characters, familiar situations and parodies of songs we’ve hard and are all too familiar with. It has played to packed houses in KL, Penang, Melaka, Kuching and Singapore since its inception.

indicinelive! Quaranstream Edition brings the show to audiences at home, and will be the very first show created for an online premiere by The Actors Studio Seni Teater Rakyat (TAS STR) and The Kuala Lumpur Performing Arts Centre (klpac). This first ever ‘digital show’ packs in 75 minutes of fun and laughter with brand-new sketches, character satires and song parodies inspired by the pandemic, the recent political shift, and how we see the ‘new normal’ world.

It features a freshly sanitised cast comprising alumni – Anrie Too, Dinesh Kumar, Jad Hidhir, Kamini Senthilathiban, Siti Farrah Abdullah, and Tiara Anchant – along with the new kids on the block – Jon Chew, Nabilah Hamid, and Oxford Tong. They will be performing fun-sized sketches by Adriana Nordin Manan, Terence Toh, Tung Jit Yang and head writer, Uihua Cheah.

Rounding up the team are multimedia designers Coebar Abel and Sebastian Ng, sound designer Clarence Chua and Production / Stage Manager Benedict Chin. Audiences can also expect a few surprise guest performers during the livestream.

The show will be livestreamed on klpac’s Facebook page on the 12th of June (Friday) 9pm, and admission is free – although you can support the ongoing fundraising campaign for klpac and The Actors Studio via an interactive approach. With its theatres closed, klpac and The Actors Studio’s losses have already exceed RM1.1 million. While its recent #SaveYourSeat campaign has raised crucial funds for the next two months, klpac requires RM132,000 per month and The Actors Studio RM25,000 per month to stay afloat.

As part of its fundraising efforts, klpac is also running an e-greeting service called Send-A-Song (link) which packages your message with a song sung by a local artiste into a video and delivers it to your loved one’s phone for a fee of RM50 only. Whether it is a heartfelt message to our loved ones, to thank our front liners or just to cheer a friend up, this is a meaningful gift that will help to keep the arts alive, one song at a time. We can help to keep the arts alive and the theatres running!

Both indicinelive! Quaranstream Edition and Send-A-Song is run on a profit sharing basis with the artistes where they will receive a portion of the proceeds. For indicinelive! donations will be split between artistes, klpac and TAS.

The performance will span approximately 75 minutes including pre and post show engagements, and is strictly for mature audiences only. Direct links to the livestream and donation mechanism will be distributed via klpac and indicinelive!’s social media channels.

facebook.com/theklpac/

Sheer Wizardry: Watching The Harry Potter And The Cursed Child Play In Melbourne

When I was 11, I recall stumbling across a dog-eared book at my cousin’s place. On the cover was a flying blue car with two boys and an owl sandwiched in between. “Harry Potter and the Chamber of Secrets”, the title said. I flipped it… and a whole new world of wonder and imagination opened up to me. Harry Potter and the wizarding world in which he inhabited and battled Lord Voldemort was the pinnacle of adventure for me. Needless to say, I secretly wished for a Hogwarts letter of my own!

When you grow up with a story and its characters, they become like friends. I anguished over Sirius’ death, rooted for Ron and Hermione to finally get together, and even years after the series ended, there is and always will be a special place in my heart (and bookcase) for the Harry Potter books. I was beyond excited when my editor told me I was going to Melbourne.. to watch the Harry Potter and the Cursed Child play! It was literally a dream come true.

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Harry Potter and the Cursed Child play is based on a story written by JK Rowling, together with Jack Thorne and John Tiffany, who also directs. Melbourne is the third place in which the play has been staged since it made its debut on London and Broadway. Housed in the historic Princess Theatre in the city’s East End Theatre District, the building has been renovated exclusively for the play, and now includes beautiful themed fixtures including a giant nest at the entrance and various decorative elements within such as velvet red carpets with the Hogwarts sign, dragon-shaped lamps and more.

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The play is about six hours long (!) and is split into two parts, intended to be seen within the same day, or on two different nights. The excitement was palpable as we stood in line to enter the theatre, with people dressed in robes and their ‘house colours’ waving wands. The atmosphere was infectious. After having read the last HP book years ago (Sorry Fantastic Beast fans, not too keen on the films), I was looking forward to entering that magical wizarding world again, one that had so captured my imagination as a child.

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The theatre was packed. Even before the stage opened, we could see that the set and the pieces were amazing; soaring buttresses, clocks on the archway, movable staircases. Then the lights dimmed, a hush fell over the crowd… and the magic began.

Featuring a 35-strong Australian and New Zealand cast, the story picks up with an adult Harry, now an overworked employee of the Ministry of Magic, and a husband and father of three school-aged children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

It’s hard to describe in words how the play is like: it is definitely an experience that you have to see to believe. The way wands light up in the darkness, the way actors appear and disappear from seemingly thin air and how brooms soar up into the air. There were parts where the audience laughed, cried and gasped as one – and I with them.

There were several breakout performances, especially by William McKenna as Scorpius Malfoy, Albus’ Potter’s best friend (whom I think is the real hero of the story!). I was also mindblown by the clever use of set pieces, which truly came together to create ‘real magic’. One of my favourites was the scene where Dementors actually float towards the audience and you can see the slow fluttering of their sleeves – it felt like they were real and not just props! Another was when our young heroes Albus and Scorpius try to escape from a moving train and the scene featured a gigantic train set piece.

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Of course, Part 1 ended with a cliffhanger, and once the lights came on the hall immediately burst into a riot of voices, as everyone started talking about what they had just seen. If it were up to me I could have sat through another three hours of the play but I guess the actors have to take a rest too. 😛

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The motto for the play is Keep The Secrets – ie no spoilers, so that others may go into the play and experience the magic for themselves.

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As part of a media entourage, we were given an exclusive behind-the-scenes look into production before the play opened for its second night – and as you can see, there is a lot that goes into making it a success. What we see on stage for a couple of seconds is the result of months of careful planning, and perhaps hours of setting up.

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You can visit the theatre during the day to get some Harry Potter exclusive merchandise such as scarves in the Hogwarts house colours, wands and other souvenirs.

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I always thought that I would be a Ravenclaw (being bookish and all) but surprisingly, got sorted into Gryffindor on Pottermore. 😀

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People like a streak of the dark – the shirt with the Dark Mark was especially popular.

 

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The atmosphere was equally electric on the second night, as people now anticipated what the play had in store after the dramatic cliffhanger.

While I felt that the second part was as brilliant as it was the first, the climax that I anticipated never did come. It felt like last night’s cliffhanger was the climax, as opposed to the actual one in the second part. Still, the twist that came at the end was quite unexpected, and the play wrapped up on a high note.

Harry Potter and the Cursed Child play is definite must watch for Potterheads (heck, even non-Potterheads – although you do need a bit of a background knowledge of Harry’s world). Having it in Melbourne is an awesome idea, as it is the only one playing in the Southern hemisphere, making it more accessible to Potter fans who will not have to go all the way to North America or Europe. The play has taken up a two-year residency since early 2019, which means you will still have time to watch it until the end of 2020.

Tickets are available at harrypottertheplay.com/au/ticket-information/.